
First, one page
We listen to the track, write the idea on one page and only then look for a location.
María Sorroche / Portrait
Everything an artist has to show: the music video, the live session, the portrait and press photos, the gig and the socials between one release and the next. From Marbella, signed or not.

They see you in a vertical
Fifteen seconds of the music video or the gig: the cut that hooks.
They land on your profile
Portrait and photos that go with the record, so it looks like the same artist everywhere.
They watch the full video
On YouTube, with a cover that makes you want to press play.
They come to see you
The cuts from your last gig sell the next date.

We listen to the track, write the idea on one page and only then look for a location.
María Sorroche / Portrait

The same shoot gives you the music video, the verticals that announce it and the press photos. The track lasts longer than the day it comes out.
Live concert

A concert gives you the long piece for your channel and the verticals for socials, which are what move the next date.
María Sorroche / Portrait

For María Sorroche we shot the live session of “Cada nota de tu cuerpo”, with Raúl Campos, and her studio portrait session, in colour and in black and white. For Kai Dylan, a music video.
We work with artists with and without a label. What changes is the scale of the shoot, not the standard of the lighting or the edit.
The music video is written before it's shot: an idea that fits on one page, one or two days depending on locations and costume changes. The music video has its own page, with the whole process.
The live session works the other way round. The song leads and the camera follows, in a single location that says something about the singer.
The portrait is what everyone uses when they talk about you: press, posters, your profile photo. It's done in a studio or on location, with lighting designed for your music.
The gig is covered with several cameras. The verticals are delivered first, because they go stale sooner.
48 hours
We tell you what's not working against three competitors and suggest three videos.
Half a day
With your business open and your team at work. You don't close.
Your yes
You see every piece as it'll look on your profile. Nothing goes out without your yes.
10 days
From the shoot, with its calendar. Or that month is free.
10 days or that month is on us.
From shoot to published. And no lock-in on the monthly plans: you stay because it works.
A fixed price before we start, once we've looked at your business. No surprises halfway through the month.
The audit is free and arrives within 48 hours.
Yes. The scale of the shoot changes, the standard doesn't.
We do, from the track and what the artist wants to say. It's delivered on one page before we book a location.
Yes: portraits in a studio or on location, in colour and in black and white, ready for press, posters and socials.
Yes. The long piece and the verticals come from the same footage, and the verticals are delivered first.
Yes, with the monthly content plans, no lock-in and the price fixed before we start.
It's agreed in writing before the shoot, depending on how the piece will be used.
Start with the free audit: tell us about your business in a minute and within 48 hours you'll have an email saying what's going wrong and what we'd do about it.
Your first video is on the house and your first month costs 20 % less if you start within the following 7 days.